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All the work here is about views in time. Unless looking at a static scene, the eye does not see frozen fragments - it sees movement and patterns - fleeting moments. The work her is the balance of the still image, in that the camera never moves, and the moving image, in that subjects move within the frame. There is no intended narrative, these are not short movies, they are frames on the world. |
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l o n d o n 2 0 0 9 |
| “The movie, by sheer speeding up of the mechanical, carried us from the world of sequence and connections into the world of creative configurations and structure.” McLuhan 1964 |